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Kay Hassan |
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Takashi Murakami |
I think that the main thing that sticks out to me
about our walk through the galleries last week was the amount of installation
pieces for sale. I was expecting to see
a lot of paintings and photos of different sizes and probably some sculptures.
I was not, however, expecting to see an
installation, 'Moun Room,' the size of most people’s apartment at the first
gallery we stopped into. I also did not
expect to see two quite large tents covered in paintings set up in the last
gallery we went to. I was kind of
confused about what would prompt someone would buy one of these things,
especially the first installation, and what they would do with it once they
owned it. Aside from the confusion about
that stuff, I was really impressed with the collages by Kay Hassan that we
saw. They were all so detailed and the
colors were so well matched and used very well.
The pieces looked like painting from a little ways back and the fact that
he was able to do that with all found material is even more impressive. After having done the collage assignment and
seeing how difficult it can be to make a collage that looks like something more
than a bunch of pictures thrown together. I was impressed the most by that exhibition. The exhibition that I enjoyed the most was
the Takashi Murakami exhibition. I
really liked his use of bright colors, repetition and variety, and how simple a
lot of the designs were but how detailed he managed to make almost all of the
pieces. The two huge statues were also
very impressive in their size and detail.
The size of his work, while it was similar to the ‘Moun Room,’ made more
sense to me. I think this was because,
even the three-dimensional pieces, you could only view from out side of the
piece. You could go inside the tents and
the first installation and to me that somehow makes it less
usable/movable. I couldn’t imagine ‘Moun
Room’ anywhere other than that huge empty room it was in when I saw it. I can imagine one or both of the Takashi
Murakami statues in many other places.
Overall I think the main thing that I came away from this trip was a
broader idea for what art is being created, bought, and sold right now.
Very good Derek. Yes, it's hard to imagine where Moun Room will go- to a museum maybe? (or to a collector's storage facility?) It's hard to even imagine the artist's studio being big enough to make a work like that.
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